Saleem Review:
Starring: Mohan Babu, Vishnu Vardhan, Ileana, Telangana Sakuntala, Brahmanandam, MS Narayana, Ali, Napoleon, Venu Madhav
Director: YVS Chowdary
Music: Sandeep Chowta
Producer: Mohan Babu
PLUS:
The glamour of Ileana and the choreography of all the songs with over exposure of the heroine’s oomph to attract the mass audiences is the only plus point in the film. YVS Chodary’s passion to imitate Raghavendra Rao in highlighting the heroine’s glamour resulted in overexposure and proved absurd. No doubt, Vishnu picked up a lot and is looking smart with a lean personality. Though he shed a lot of weight, he continued to maintain some glow in his face besides the young charisma. Dances are also impressive. But he needs to improve his dialogue modulation a little further. Camera work by Ramprasad is impressive as he shot the chases and action scenes well. His camera eye did not turn away from the belly button and waist of the heroine in all the songs.
MINUS:
The poor and unimpressive narration tested the patience of the audiences. He tried to imitate movies like Murari, Athadu and Ninne Pelladatha to highlight the family relations but there is no comparison with them as they were picturised far better than this film. Likewise, there are a lot of action scenes in the film, which has lots of wirework. All the action scenes were far from reality and were truly cinematic. Though Vishnu played well, their picturisation brings laugh among audiences. Mohan Babu should have avoided playing the role. The director shouldn’t have used such a senior artiste to demean a female teacher that way. It is absurd to look at the oomph of a woman teacher who came to teach him. Of course, she (Kaveri Jha) was meant to attract him as per the story. Dialogues in the film lacked punch and the audiences who look for impressive dialogues from a hero like Mohan Babu would definitely feel disappointed. Even the comedy track was picturised in poor taste.
The glamour of Ileana and the choreography of all the songs with over exposure of the heroine’s oomph to attract the mass audiences is the only plus point in the film. YVS Chodary’s passion to imitate Raghavendra Rao in highlighting the heroine’s glamour resulted in overexposure and proved absurd. No doubt, Vishnu picked up a lot and is looking smart with a lean personality. Though he shed a lot of weight, he continued to maintain some glow in his face besides the young charisma. Dances are also impressive. But he needs to improve his dialogue modulation a little further. Camera work by Ramprasad is impressive as he shot the chases and action scenes well. His camera eye did not turn away from the belly button and waist of the heroine in all the songs.
MINUS:
The poor and unimpressive narration tested the patience of the audiences. He tried to imitate movies like Murari, Athadu and Ninne Pelladatha to highlight the family relations but there is no comparison with them as they were picturised far better than this film. Likewise, there are a lot of action scenes in the film, which has lots of wirework. All the action scenes were far from reality and were truly cinematic. Though Vishnu played well, their picturisation brings laugh among audiences. Mohan Babu should have avoided playing the role. The director shouldn’t have used such a senior artiste to demean a female teacher that way. It is absurd to look at the oomph of a woman teacher who came to teach him. Of course, she (Kaveri Jha) was meant to attract him as per the story. Dialogues in the film lacked punch and the audiences who look for impressive dialogues from a hero like Mohan Babu would definitely feel disappointed. Even the comedy track was picturised in poor taste.
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